(director: Ashutosh Gowarikar)
Lagaan is undoubtedly Bollywood’s most priced possession and possesses achieved classic status quickly span itself. Here is a movie that’s perfect in every single sense so you would wonder if you have another Lagaan possible in another 100 years. Lagaan is definitely an epic, using the grandeur as well as the scale that Ashutosh Gowarikar portrayed the plight from the farmers in a very village, inside the British occupied India. The story would be a revelation; in regards to the power of goodness and humanity. It speaks volumes concerning the collective human spirit and also the movie proves you could move mountains with united human spirit. It was obviously a flawless movie and the every aspect with the movie stood shining, whether it is the authentic sets, costumes by Oscar winning Bhanu Athaiya, music by another Oscar winner A R Rahman, story, screenplay, dialogues, acting (especially, great number of supporting characters), cinematography, choreography and above all Ashutosh Gowarikar’s taut direction. So many factors joined together like magic and you will see outright brilliance on every frame. Such a movie comes once in most a hundred years, may be!
3 idiots (2009)
(Director: Raj Kumar Hirani)
3 Idiots was a complete entertainer at one time it carried a communication. Raj Kumar Hirani was always noted for his social relevant yet entertaining movies and ‘3 idiots’ followed the tradition. It makes some solid statements about the age old education system in India. Inspired by the Chetan Bhagat book, ‘5 point someone’, it deals with all the pressure students face as far as choosing career can be involved. It’s your parents or perhaps the demanding society that decide the most effective career to suit your needs so you end up studying some of those courses which are straight ticket to high paying jobs and you also lead a bitter existence for the remainder of your health. Is everyone prepared for that? ;Hirani was trying to shed some light in to the otherwise neglected issue plus it met with thunderous applause from all of quarters. Students across the country could instantly connect while using helplessness shared by the protagonists, in the mean time experiencing and enjoying the ‘balatkar’ speech of Omi Vaidya.
Director: ;Imtiaz Ali)
Can Bollywood ever stop making those highly romantic movies in which the industry continues to be known for quite a long time? We love to fall in love using the quintessential hero and heroine of Bollywood romantic movies. We want to sing and dance together and that feeling never changes. Jab We Met may be the only typical romantic movie out there and clearly defines romance we view inside last decade. Indians constantly face the east versus west conflicts, especially the youth in the cities. On one hand Speed-dating and reside in relationships are catching on fast at alternatively we are really not yet willing to leave our tender Indian values. Family, parents and every other age old symbols are dear to us. Here comes, Imtiaz Ali, the master story teller that can speak non stop about heart and its little dilemmas for hours, naturally after Yash Chopra. He creates a legendary character like Geet that can help keep you glued for a seat along with her inimitable charm and purity. It was obviously a time when we thought film makers stopped writing beautiful roles for a female actor and Imtiaz fleshed out a woman who all people are awaiting. The typical boy-meets-girl story have their own heart set on the right place. Though it was an out and out Kareena film Shahid Kapoor gave ample support as part of his difficult role that is in fact certainly one of his career bests. It’s not that simple job to stay within the background doing outright hearing non-stop Geet. He had to demonstrate that he’s dealing with earlier times wounds and also at the same time hopelessly falling in love with Kareena. The soft spoken Aditya and chatter box Geet can be extremely likable and audience loved equally of their interaction that also rekindled our faith in love stories once again.
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